Decades of high labor of love James Cameron and his Athatar The family strengthens the Pandora world a factor Avatar: The Water Way The leading woman thinks should be conflicted as a response to the art of taking the show.

In an interview with key musicia keys for By designwho says himself as a Athatar Fan, Zoe Saldaña revealed that at the time it was something director’s director can take. You know, after any of the following Avatar: fire and ash. Saldaña tells the keys, “I’m glad James Cameron thinks of a documentary about making Athatar-That with us once explained, in a great way, why taking the show is the most powerful cause of action. It gives us credit, the ability to own 100 percent of our screen performance. With animation, you can go to the studio for (some) sessions; That’s how much they need for the whole movie. You go to a studio, yet you wear, and you borrow your voice, right? “

He kept the description of the great work to go into an insufficient form of art: “Taking the show means that Athatar Not to exist when Sgaurney Weaver, Sam Andestone, Stephen, Kate Winslet, myself, and the whole cast did not rise and put the dots on our faces. We wear a small unit with all its dots, and step into a volume – that’s what we call-set-to-ceiling, with all these cameras in the measured positions. They all pointed out this space that we found, and fed the system information that was Pandora. “

Explaining the nearby process of decade between films, where it is obvious, like stunt work (which has finally got a category of Oscar in 2028)

“It takes an average of seven years between (each Athatar film). From archery, martial arts, free diving, scuba diving-to prevent you under the gymnasts, and acronats on the body to take the people first of the people

Highlights the scope of work that Cameron has been orchesting in a large measure of his Avatar ensemble, shared by Saldaña, “That’s all, and a group of incredible stunt actors that make our characters feel bionic. God bless them. With the technology Jim did, he gave the artist of the power of complete possession. It’s great. I told him, ‘I’m not here if it’s not for Terminator, foreignersEllen Rilley, The depths. ‘In 10 or 11 years old, I will look (in back sights) always. I love the sacrifice that puts something together. It’s art. “

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