With Sinners because the making history belle at its ball It’s Oscar timeregardless of whether it sweeps or not (fingers crossed for it), interest in the film has returned to all but fans with Ryan CooglerThe part of the vampire film of the time. While Coogler has been closely guarded about revealing what he meant by making the film, wanting it to speak for itself, and putting to rest any internet rumors of a sequel, he has lifted the veil to reveal what Michael B. Jordan color-coordinated twins until before the events of the movie.

Talked to Nearby MediaCoogler details what Smoke and Stack have been up to in the years before the twins leave Chicago and make their grand homecoming, kicking off the vampiric festivities of Sinners. While the film elaborates some of the details on its own, as they trick Italian and Irish gangs, one of which is Al Capone, who flees with their money, liquor, guns, and decadent suits, Coogler puts his backstory scenes behind what happened after Smoke killed their father. Spoilers of a movie a many as you have already seen.

“They kill their father, hide out at Mary’s mother’s place, then go to New York and join the military,” Coogler said. “Went to fight in France, and they came home for a while. Mary was older, so Stack and Mary happened.”

But wait, there’s more: “It’s like a three-year run where the twins break up. Smoke and Annie get their house, and Stack and Mary go to Little Rock. When (Smoke and Annie) lose their daughter is when things get rocky; they both basically leave their partners and go to Chicago.

SINNERS lore unlocked 🤫🔓 pic.twitter.com/Moq4MpEBAg

— PROXIMITY MEDIA (@proximitymedia) January 27, 2026

And the rest, as they say, is history, which the film picks up when the twins return home to start their doomed juke joint. Although it’s usually the task of fan fiction writers to fill in the gaps in stories that leave everything on the table, Coogler wisely decided to info-dump us like a movie theater Santa Claus with many details of the twins’ lives.

If it weren’t for the fact that we get a little more information where we can read between the lines why their relationships with Annie and Mary, and by expressing the difficulty of their feelings for each other, are so burdened at the beginning of the film, it would at least cut Hollywood to the chase of trying to entertain the idea of ​​spinning the block and making a prequel to a movie 1) Does Coogler need his right. We would, however, welcome an animated prequel in the style of the film’s opening sequence, if Coogler felt so inclined.

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